209 Royalty-Free Audio Tracks for "Generative Music"

Slow night in an airport terminal. Background music and cluttered distant voices with a general hum found in a large building. The pa system gives a warning message from the transportation security administration (tsa) about luggage.

Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Long Trail (computer generated) "A lazy meditation on the long, hot road ahead."

Midi file generated by myself with Musescore from the 'La Espero - 1 piano - 2020' pdf file (sheet music).

Cube synth. Just some random keys played on a midi keyboard. Make of it what you will.

First patch with new 84hp set-up. A synth not meant to make music you like.

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

Taken from a window, this is a soundscape in vilnius old town, lithuania. You can hear a concert happening far away, cars, and general city hum / noise.

Machine composed electronic music. The track made me think of insects. Searched for a sound to mix it with. Found this lovely sound recorded by mikelrnieto. It could be insects. . . Interstitial space » espais intersticials # 17https://freesound. Org/people/mikelrnieto/sounds/209449/inspelat av mikelrnietomachine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

This first loop in series is a simple, beat in 4/4 time run at 140 bpm. It features an extremely thick bass sound with general techno patterns you might hear in normal techno music. The pack is aimed for general use in any type of techno, trance music. The loop was created mainly with reaktor's arobic.

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Cheers, lots of "ohhhs!" when a goal is missed, some intermission music and general crowd sounds.

Four notes (a4,g4,b4,c5) played one after the other at 60 bpm, generated by an online midi editor.

Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Whitney music box, variation 11, "minute waltz". 60 notes are used in the music box, whose cycle lasts 60 seconds. Music generated using a program written in the nyquist language. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v11.

Sound generated with online synth and then tweaked a bit with audacity. Link to synth: https://lti-adx. Adelaide. Edu. Au/music. Technologies/midi-synth/.

General airport ambient during late night. People walking and talking, high heels, escalators, restaurants with music.

Machine composed electronic music - or experimental generative atonalelectronic music made with an analog modular synth. Some results from two machine composition recording sessions. The modular is a machine. I compose the patch. The modular/machine composes the music. I don't want to call it auto composition, algorithmic compositionor generative. This is machine composition!. Track list1) känner igen2) form3) nästan 194) symetri5) växlingar. Https://www. Youtube. Com/watch?v=xhv0rkdjzg0.

Patch with dynamics and variation - or should i call it variations? anyway,working on how to create variations and dynamics in a generative modular patch. I like the silence. . . It sounds like the electronic music of the 60th. I use the same kind of tools. An analog modular synth.

My first multi-timbral patch in pure data. Fm synthesis.

A generic pop/rock drum loop created using a free midi software.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Some generic song that i made in fruity loops a year ago.

Whitney music box, variation 14. First stereo variation. Two lines are used which are used to control panning. Music generated using my own syd synthesis software. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v14.

Driftwood space galaxy.

Whitney music box, unnumbered variation. This is similar to variation 1, except that the music is played by a piano, and only 40 notes are used, instead of 48, to keep the pitches within a more listenable range. Music generated using a program written in the nyquist language. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v0.

Whitney music box, variation 6. In this variation the 48 dots are arranged to trigger microtonal pitches in one octave. Music generated using my own syd synthesis software. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v6.

The Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This is used to provide musical honors to consuls general accredited to the United States, and is often performed during the posting of the National Colors.

It's some kind of suspense music, sometimes used in tv shows. I don't really know what it is actually called, please comment if you do! thanks in advance!i recreated it using a tone generator and basic editing, because no original source was found. It sounds something like this.

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Generated by this site: http://wurstcaptures. Untergrund. Net/music/?oneliner=t%3c%3c4%7ct%3e%3e4&oneliner2;=&t0;=0&tmod;=0&duration;=10&separation;=100&rate;=8000.

The inverted version of the jazz ride pattern, which was created before the generally used one.

Recorded in a public event, outdoors, with a very faint music background, medium, spanish speaking (uruguay/argentina) crowd both male and female. I wish i could provide a longer version but people kept standing and yelling in front of the microphone. Format:wav 48khz 24bit stereo. Gear:zoom f8 with h6 xy capsules.

Electro-orchestral soundtrack music generated with ai and rearranged + edited + mixed with ableton. Epic vibe, heroic, orchestral drums, touching melody of keys, transition fx, distant choir, some toms. 95bpm.

The ambience of the inside of a busy shopping mall. People talking in distance, faint music playing. Recorded with a zoom h5.

Nice crowd talking audio. Faint music can be heard.

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

A street musician plays harp at a street art market in old amsterdam. M-audio microtrack + core sound low cost binaurals.

The ambience of the inside of a busy shopping mall. People talking in distance, faint music playing. Recorded with a zoom h5.

The ambience of the inside of a busy shopping mall. People talking in distance, faint music playing. Recorded with a zoom h5.

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

General sounds from cuba street in wellington, new zealand. Inside a cafe and then on the street with busker playing psycho killer on his piano accordion. Short journey on a bus with music from a shop.

Mix of various field recordings from morocco, december 2015. Including general marrakech street atmos, djemma el fna musicians, call to prayer, kids playing in the street & cats!.

Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass

Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone

Crows Nest performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 8 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Come May performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 10 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone